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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Miss Alesandra, 2010

The more things change

Magazine article by Dr Sarah Engledow, 2011

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Staffordshire bull terrier belonging to the Rev. John Gower, 1851

Essential portraiture

Magazine article by Michael Desmond, 2011

Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.

Mural of Italian/Roman actress Anna Magnani (1908­–1973) with face mask, April 2020 Unknown artist

Of plague and portraits

About Face article

Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.

A Family Being Served with Tea, ca. 1745 by an unknown artist

A reflection on conversation pieces

About Face article

There is in the collection of the Yale Center for British Art in New Haven, Connecticut, an English painting, datable on the basis of costume to about 1745, that has for many years exercised my imagination.

Me

Donated duo

Magazine article by Dr Sarah Engledow, 2009

Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.

Recollections of a sinologist sitter

Magazine article by Professor Stephen FitzGerald AO, 2016

Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.

William Charles Wentworth -The Australian Patriot

The Wentworths – Hidden in Plain Sight

Magazine article by Dr Grace Blakeley-Carroll, 2015

Grace Carroll on the gendered world of the Wentworths.

Surfing, Noosa, 1970s Stuart Spence

The play’s the thing

About Face article

Penelope Grist charts an immersive path through Stuart Spence’s photography.

Yellow portrait (portrait of Alex Jelinek)

Fugue in Yellow

Magazine article by Roger Benjamin, 2015

Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.

Kinky Night. Impressions Club, 1987

Aussies all

Magazine article by Simon Elliott, 2006

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

Self portrait

Profile of a marriage

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.

Paul Kelly 30.11.1980 by Liz Reed

Pop poet

Magazine article by Dr Anne Sanders, 2013

Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.

Jessie Street

Australia’s great internationalists

Magazine article by Penelope Grist, 2016

Penelope Grist explores the United Nations stories in the Gallery’s collection.

Charles Summers

The importance of being bearded

Magazine article by Joanna Gilmour, 2012

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency